아버지와 아들

FATHERS AND SONS

BY

IVAN S. TURGENEV

Translated from the Russian by C.J. Hogarth

LONDON & TORONTO

PUBLISHED BY J.M. DENT & SONS LTD & IN NEW YORK

BY E.P. DUTTON & CO

1921

INTRODUCTION

In this masterly unromantic novel, Turgenev drew a character, Bazarov, who served to express what he taught us to call Nihilism, and made a movement into a man. In Russia itself the effect of the story was astonishing. The portrait of Bazarov was immediately and angrily resented as a cold travesty. The portraits of the "backwoodsmen," or retired aristocrats, fared no better. Turgenev had indeed roused the ire of both sides, only too surely.

The Petrovitchs, typical figures as he designed them of the Russian nobility, were intended he confessed to breathe "feebleness, nonchalance, narrowness of mind." His sense of fitness made him paint with extreme care these choice representatives of their class. They were the pick, and if they were humanly ineffective, what of their weaker kind? "Si la crême est mauvaise, que sera le lait?" as he put it. The bitterest criticism came, however, from the side of the revolutionaries and incompatibles. They felt in Turgenev the sharper artistry and the intimate irony as if he had only used these qualities in dealing with the specific case of Bazarov; whereas they were temperamental effects of his narrative art. He was ready to assert himself one of the party of youth. He was at one with Bazarov, he declared, in nearly all his ideas, a chief exception being Bazarov's ideas on art, which in truth are apt to be more crudely delivered than the rest of that iconoclast's destructive opinions. Bazarov, he said once and again, was his favourite child.