죽음의 집의 기록

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EVERYMAN’S LIBRARY EDITED BY ERNEST RHYS

FICTION

THE HOUSE OF THE DEAD

WITH AN INTRODUCTION BY JULIUS BRAMONT

THE PUBLISHERS OF _EVERYMAN’S LIBRARY_ WILL BE PLEASED TO SEND FREELY TO ALL APPLICANTS A LIST OF THE PUBLISHED AND PROJECTED VOLUMES TO BE COMPRISED UNDER THE FOLLOWING THIRTEEN HEADINGS:

TRAVEL SCIENCE FICTION THEOLOGY & PHILOSOPHY HISTORY CLASSICAL FOR YOUNG PEOPLE ESSAYS ORATORY POETRY & DRAMA BIOGRAPHY REFERENCE ROMANCE

IN FOUR STYLES OF BINDING: CLOTH, FLAT BACK, COLOURED TOP; LEATHER, ROUND CORNERS, GILT TOP; LIBRARY BINDING IN CLOTH, & QUARTER PIGSKIN

LONDON: J. M. DENT & SONS, LTD. NEW YORK: E. P. DUTTON & CO.

A TALE WHICH HOLDETH CHILDREN FROM PLAY & OLD MEN FROM THE CHIMNEY CORNER

SIR PHILIP SIDNEY

THE HOUSE _of the_ DEAD _or Prison Life in Siberia_

BY FEDOR DOSTOÏEFFSKY

LONDON: PUBLISHED by J.M. DENT & SONS LTD AND IN NEW YORK BY E. P. DUTTON & CO

FIRST ISSUE OF THIS EDITION 1911 REPRINTED 1914

INTRODUCTION

“The Russian nation is a new and wonderful phenomenon in the history of mankind. The character of the people differs to such a degree from that of the other Europeans that their neighbours find it impossible to diagnose them.” This affirmation by Dostoïeffsky, the prophetic journalist, offers a key to the treatment in his novels of the troubles and aspirations of his race. He wrote with a sacramental fervour whether he was writing as a personal agent or an impersonal, novelist or journalist. Hence his rage with the calmer men, more gracious interpreters of the modern Sclav, who like Ivan Tourguenieff were able to see Russia on a line with the western nations, or to consider her maternal throes from the disengaged, safe retreat of an arm-chair exile in Paris. Not so was _l’âme Russe_ to be given her new literature in the eyes of M. Dostoïeffsky, strained with watching, often red with tears and anger.